There is a tendency for texts to reveal their meaning and purpose in environments designed with appropriate levels of beauty and visual impact, but not always in the right way.
A comprehensive treatment of the elements of theatre can be found in theatrical productions. This article attempts to explain why art and theatre have been regarded throughout history as fundamental human activities. The relationship between theatre, music, opera and dance is seen in their relationship to each other and to human experience.
The actors give body, voice and imagination, which is only a shadowy reference to the text, which merely reflects the creation that has already been fully expressed in the script. The text of a play is the raw material from which the performance is made, and the actors are the “raw material” on which it is fully realized, just as a score in a concert is the “raw material” of its performance.
The Hamlets, two great actors, are probably as different as possible from each other when they perform the same play.
A good performance of Hamlet, for example, is extremely difficult to achieve, and a poor performance is disproved by its poor performance. The intellectual element itself is a guarantee of good theatre, and sometimes the appeal is strong intellectual, as in William Shakespeare’s Hamlets. Moreover, a good Hamlet makes a demand of the viewer, which may consist in his willingness to perform a farce that can be enjoyed in conditions of relative relaxation.
There is no doubt that the art of theatre cannot be discussed in the same way as the arts of any other art. Theatre, as it is taught in universities and schools, can only be considered a literary art in a certain sense.
This is partly because theatre critics, like writers, tend to be literary. Shakespeare is as much a part of the history of theatre as any other writer who has studied and acted. Its influence was reinforced by the fact that it is difficult to make serious theatre generally accessible. For every person who has seen an important production of a theatre, thousands of others will know about it in the future.
While reviewers in the mainstream press give more credence to elements such as acting and dance, critics in more serious journals are more interested in textual and thematic values. The New York Times determined the fate of a production’s historical record by promising it another successful run or forcing it to close overnight.
One of the tasks of a writer is to know what his or her audience will know, be it a performance, a film or even a book.,35128.htm
What is interesting, however, is that theater has become a preference for American English, making it difficult for people to accept its spelling. As the chart below shows, theater is the preferred spelling for the majority of people in the United States and Canada. However, when the audience unanimously uses a spelling, they take note of it in order to communicate more effectively with them.
However, in the United States and Canada, as well as in other parts of the world, such as Australia and New Zealand, none of them has prevailed and is actually used.
Theater is the correct spelling in American English, where “theater” is used as the proper name of the construction and production company.
Theatre should therefore be the correct name of the production company, not the name of the company or even of the theatre itself.